Venue: Salon of the Museum of Contemporary Art (14 Pariska Street)
Date: October 5th 2019 18：00
Opened in 1952, Lumbardhi Cinema has been one of the two key cultural institutions in Prizren for the rest of the 20th century. A public space with an attendance of over 400,000 visitors for four decades, it was also known as a birthplace of festivals, most notably DokuFest. Following two attempts for demolition and privatisation in the following millennia, it was saved by civic initiatives and registered as a protected cultural landmark in 2015.
Lumbardhi Foundation was established thereafter to continue the civic initiative, with the aim of managing and reviving the former cinema through an open process that included research, diverse programs, debates, friendships and alliances. Designed in a slow manner determined by the limited means of shaping an institution from a bottom-up initiative, the process has enabled an alternative form of institution-building. In his talk, Ares Shporta will present and discuss about the process that allowed the time and opportunity to put into questions issues like the function of public service institutions in the 21st century, the possibility of mission-driven structure in conditions of normalised instability and tailoring an institution in relation to its surrounding ecology.
Ares Shporta is a cultural worker based in Kosovo. He completed his studies at the graduate program for Cultural Management at the Istanbul Bilgi University with a focus on cultural institutions and local cultural policy. Since 2015 he is the co-founding director of Lumbardhi Foundation where his work ranges from research and programming, to advocacy, infrastructure and institutional development within the framework of the revival of the former Lumbardhi Cinema. Shporta is also the chairman of the Network of Cultural Organisations in Prizren and the President of Kooperativa – Regional Platform for Culture.
The event is free and open to the public.
The WCSCD curatorial course and series of public lectures have been initiated and organized by Biljana Ciric.
The lecture by Ares Shporta is generously supported by Heinrich Boll Stiftung