The curatorial program What Could/Should Curating Do 2020 is proud to continue in 2020 with public program through lecture series
The fifth talk in the 2020/21 series is titled:
“Practices of Care: On Rehumanization and Curating”
By Natasa Petresin-Bachelez
Installation of Sensing Salon, part of the exhibition Not Fully Human, Not Human at All, Kunstverein in Hamburg, 2020, photo Natasa Petresin-Bachelez
Natasa Petresin-Bachelez will speak about two of her recent curatorial projects, “Not Fully Human, Not Human at All” (KADIST and Kunstverein in Hamburg, 2020, co-curated with Bettina Steinbrügge) and the Initiative of Practices and Visions of Radical Care that she co-founded with Elena Sorokina in spring 2020.
Through them she will trace the questions of (in)compatibility of curatorial and institutional methods with the produced content, and talk about her understanding of the concept of interdependence.
photo by Ivana Kalvacheva, jewellery artist ismail Afghan
Nataša Petrešin-Bachelez is an independent curator, editor and writer, she lives and works in Paris. Among the projects and exhibitions she curated are: Contour Biennale 9: Coltan as Cotton (Mechelen, 2019), Defiant Muses. Delphine Seyrig and Feminist Video Collectives in France in 1970s-1980s at the Museum Reina Sofia, Madrid and museum LaM, Lille (with Giovanna Zapperi, 2019), Let’s Talk about the Weather.
Art and Ecology in a Time of Crisis at the Sursock Museum in Beirut (with Nora Razian, 2016), Resilience. Triennial of Contemporary Art in Slovenia at Museum of Contemporary Art (Ljubljana, 2013), and in France Becoming Earthlings. Blackmarket for Useful Knowledge and Non-Knowledge #18 at Musée de l’Homme (with Alexander Klose, Council and Mobile Academy, 2015), Tales of Empathy at Jeu de Paume (2014), The Promises of the Past at the Centre Pompidou (with Christine Macel and Joanna Mytkowska, 2010), Société anonyme at Le Plateau/FRAC Ile-de-France (with Thomas Boutoux and François Piron, 2007).
Between 2010 and 2012, she was co-director of Les Laboratoires d’Aubervilliers and co-founder of the European network of small-scale art institutions Cluster.
She is a co-organizer and co-founder of the seminar Something You Should Know at EHESS, Paris (with Elisabeth Lebovici and Patricia Falguières), and a member of the research group Travelling Féministe, at Centre audiovisuel Simone de Beauvoir, Paris.
She is the chief editor of the publishing platform Versopolis Review, between 2014 and 2017 she was the chief editor of L’Internationale Online, the publishing platform of L’Internationale – the confederation of cultural institutions, and between 2012 and 2014 she was the chief editor of the Manifesta Journal.
She contributed to various publications and held lectures and organized seminars in which she presents her ongoing research into situated curatorial practices, empathy and transnational feminism, slow institutions, performative practices in the former Eastern Europe, and engaged artistic practices in the era of the Anthropocene/Capitalocene. In the scholar year 2019-2020 she teaches at the Sint Lucas School of Arts, Antwerpen.
WHAT COULD/SHOULD CURATING DO? (WCSCD)
WHAT COULD/SHOULD CURATING DO? (WCSCD) was initiated and funded in 2018 in Belgrade as an educational platform around notions of curatorial. From 2020 WCSCD started to initiate its own curatorial inquiries and projects that should unpack above -mentioned complexities keeping educational component as a core to the WCSCD.
The WCSCD curatorial program and series of public lectures have been initiated and organized by Biljana Ciric.
Participation of Lisa Rosendahlin the WCSCD 2020/21 program as mentors has been supported by Embassy of Sweden in Serbia.
WCSCD 2020/2021 public program series has been done in collaboration with Division of Arts and Humanities, Duke Kunshan University and they co-stream all public lectures.
Strategic media collaboration is done with Seecult and they will co-host all public lecture series.
What is The Use? Needs and Means of Making Biennials Under Pandemic | Where is the body of the curator? | From steirischer herbst to Paranoia TV: one festival reinventing itself | Kalokagathia: On the Possibility to Think Together the Aesthetical and Ethical in Curating | Reimagining the museum